D.M.A. (Composition): Arizona State University
Performance Certificate (Saxophone): Northwestern University
M.M. (Conducting): University of Denver
M.M. (Composition): Bowling Green State University
M.M. (Saxophone Performance): Bowling Green State University
B.S. (Saxophone and English Literature) Indiana University
Contemporary Music Ensemble
FYS 084: The Year 1944-1945 in Music, Art, and Literature
FYS 084: The Year 1971-1972 in Music, Art, and Literature
FYS 177: The Year 1912-1913 in Music, Art, and Literature
MUS 140/141: Applied Composition
MUS 140/141: Applied Conducting
MUS 140/141: Applied Saxophone
MUS 249: Introduction to Composition
MUS 261: Music in Western Civilization II
MUS 290: Ear Training and Aural Skills
MUS 323: Music Theory III
MUS 324: 20th Century Harmonic Practice
MUS 325: Composition Seminar
MUS 340: Orchestration
Kirk O’Riordan’s music has been referred to as “unapologetically beautiful” and is often praised for its uniquely “visual” qualities that depict a wide range of striking moods. His debut compact disk, Strange Flowers, was released by Ravello Records in November, 2013 and was praised by Audiophile Audition as “one of the most impressive and beautiful collections of chamber music I have heard in awhile….This is all just so lovely and invokes exactly the emotions that good music should be able to induce in all of us.” Gramophone Magazine praised O’Riordan as “a composer for whom imagery is a defining inspiration….[he] is a deeply sensitive composer who savours going gently into the night.” (April 2014). The 2016 recording of his Twenty-Six Preludes for Solo Piano—by pianist Holly Roadfeldt—has attracted similar praise: “[these] are similarly atmospheric and proceed to unfold like a magical tapestry. Each of the 26 Preludes seemingly comprising of warp and weft forming a myriad of pixels of little pictures that ultimately combines to form a moveable feast for both eye and inner ear. O’Riordan’s miniatures are informed by languorous beauty and profundity, the lyrical variations of each often feature elaborate embellishments, as well as sudden dissonant figurations that seem to mimic the gravity-defying leaps of the gazelle…” (World Music Report, April 2017).
O’Riordan (b. 1968) is an active composer, conductor, saxophonist, and teacher. His music has been performed in Canada, China, Costa Rica, Cyprus, Finland, Italy, and Russia; and in more than thirty of the fifty United States. Performances of his works have been featured at the Ravenna Festival (Italy), the Indiana State University, University of North Carolina, Greensboro and Western Illinois New Music Festivals, the 2008 Eugene Rousseau Birthday Celebration, national and regional conferences of the Society of Composers, Inc., the North American Saxophone Alliance, and the College Music Society; and in concert by such performers as the Eaken Piano Trio, Tresillo, The Moran Woodwind Quintet, Orchestra Bruno Maderna (Italy), the Arizona State University Chamber Winds and Symphony Orchestra, the Northwestern University Contemporary Music Ensemble, the Cleveland State University Orchestra, the University of Colorado Chamber Wind Ensemble, the University of Delaware University Singers, the Williamsport Chamber Chorus and Orchestra, the Susquehanna University Orchestra and Chamber Singers, The Lafayette College Concert Band, Contemporary Music Ensemble, and Percussion Ensemble, the SKIN Ensemble, Frederick Hemke, Timothy McAllister, Lawrence Stomberg, Marianne Gythfeldt, Kenneth Tse, Jeffrey Lyman, Emily Bullock, Steven Stusek, Andrew Rammon, Reuben Councill, John Perrine, Ann Moss, and Holly Roadfeldt.
Kirk is the recipient of numerous awards as both a composer and a performer, including annual ASCAPlus awards, a Composer’s Assistance Program grant from the American Music Center, the 2001 Arizona State University Composition Competition, the 2000 Contemporary Music Society competition, and an ERM-Media Masterworks Prize. In addition, his Cadenza for Piano Trio was one of two works selected by audience members at the CMS Mid-Atlantic/Northeast Super-regional Conference for performance at the 2008 CMS National Conference. In 2017, his Temptation for Solo Bassoon was chosen as required repertoire for the International Double Reed Society Gillet-Fox International Bassoon Competition.
Kirk’s music has been broadcast on KBAQ, WQSU, WTUL, and WVIA radio. Recordings of his works appear on the Ravello, Centaur, ERM-Media and EnF labels, and feature performances by Lawrence Stomberg, Marianne Gythfeldt, Holly Roadfeldt, Frederick L. Hemke, The Kiev Philharmonic, Peter Richard Conte, and Farrell Vernon. He has recently received commissions from the Brecksville-Broadview Hts. Chamber Orchestra (his high school orchestra), AVIDduo, Saxton Rose, and Holly Roadfeldt. He recently completed his first opera: The Masque of Edgar Allan Poe, a one-act chamber opera based on Poe’s “Masque of the Red Death” on a libretto by Lafayette College colleague Lee Upton. The work was premiered by the University of Delaware Opera Theater in November, 2016 and subsequently at Lafayette College. Other projects have focused on music for dance: his River Lights for Orchestra (as recorded by the Kiev Philharmonic) was used by dancer/choreographer Ben Munisteri in his piece, Robot vs. Mermaid. O’Riordan has also collaborated with dancer/choreographers Carrie Rohman and Nandini Sikand. Recent projects include a concerto for Taiko Ensemble and Concert Band (for the Lafayette College Percussion Ensemble and Concert Band), incidental music for a Lafayette College Department of Theater production of Mary Zimmerman’s play Metamorphosis, and a new work for viola and piano for violist Michael Hall and pianist Holly Roadfeldt.
Dr. O’Riordan joined the faculty of Lafayette College in 2009, and now serves as Associate Professor of Music and Director of Bands, teaching courses in music theory, and composition. In addition, he teaches in the First-year Seminar program and conducts the Lafayette College Concert Band and Contemporary Music Ensemble. During his time at Lafayette, the Concert Band has been hailed for its ambitious and adventurous programming, having performed works such as Husa’s Music for Prague 1968, his own orchestration of Pictures at an Exhibition, and world premieres by O’Riordan, Zach Jones, and William Pfaff. Previously, he served on the faculties of Bucknell University and Susquehanna University where he taught music theory, composition, music appreciation, and (English) writing. He has also served on the faculties of Lock Haven University, Colorado Christian University, Chandler-Gilbert Community College, and Paradise Valley Community College. He holds the Doctor of Musical Arts degree from Arizona State University (the first recipient of that degree from ASU); the Certificate of Performance in Saxophone from Northwestern University; and three Master of Music degrees (composition, saxophone performance, and conducting).
His academic pursuits have ranged from writings on musical aesthetics to works in musical analysis and aural skills pedagogy. Several of his writings were developed from essays presented on his radio program, Face the Music, which aired from 2007-2008 on WQSU-FM. His current scholarly work focuses on interdisciplinarity: he presented On Teaching Composition: Similarities, Differences, and Aesthetics of Teaching Music and Prose at regional and national conferences of the College Music Society, and continues an active interest in contemporaneous art works which span multiple disciplines, and developed a seminar course on art and music of the year 1912-13 for Lafayette College.
Kirk has studied composition with Rodney Rogers, Randall Shinn, James De Mars, Glenn Hackbarth, Jay Alan Yim, Burton Beerman, Marilyn Shrude, and Donald M.Wilson. He has studied saxophone with Frederick L. Hemke, John Sampen, Eugene Rousseau, and Iwan Roth.